An Ode to Editors, plus “You Must Read This” (an essential essay for a writer’s toolkit)
Two great pieces I came across today.
1) An ode to editors at Salon. In “Let us now praise editors,” Gary Kamiya writes:
To people not in the business, editing is a mysterious thing. (Actually, it’s mysterious to most bloggers, who despite having been in existence for less than 10 years, probably outnumber every writer who ever wrote. But more on them later.) Many times over the past 20 years, people have asked me, “What exactly does an editor do?”
It’s not an easy question to answer. Editors are craftsmen, ghosts, psychiatrists, bullies, sparring partners, experts, enablers, ignoramuses, translators, writers, goalies, friends, foremen, wimps, ditch diggers, mind readers, coaches, bomb throwers, muses and spittoons — sometimes all while working on the same piece. …
So often, I’m asked: What do you do as an editor? I loved this piece because it demystifies what we editors do … and appreciates the challenges we face everyday. Thank you Gary Kamiya!
2) The occasional NPR series “You Must Read This” asks writers to reflect on their favorite books/essays. I love this piece by Lawrence Wright about George Orwell’s essay “Politics and the English Language.”
In 1946, that Orwell wrote his great essay, “Politics and the English Language,” which I first read as a freshman at Tulane University and immediately adopted as my guide. Over the years, I’ve gone back to it repeatedly, like a student visiting an old professor who always has something new to reveal.
Orwell’s proposition is that modern English, especially written English, is so corrupted by bad habits that it has become impossible to think clearly. The main enemy, he believed, was insincerity, which hides behind the long words and empty phrases that stand between what is said and what is really meant.
A scrupulous writer, Orwell notes, will ask himself: What am I trying to say? What words will express it? What fresh image will make it clearer? Could I put it more shortly? Have I said anything that is avoidably ugly? The alternative is simply “throwing your mind open and letting the ready-made phrases come crowding in. ..” [you can read Orwell's essay here]
As I was reading this piece, a memory came back to me: During my first week at my first editing job, the editor-in-chief handed me a small bit of paper with six rules of writing (thanks, Charlie!). There was no source or attribution for these rules, and although I’ve carried them around with me ever since (they’re tacked up above my desk), I never thought to look for their source. (Dummy me!) So, imagine my delight when I realized that they come from this essay by George Orwell. Of course, it all makes sense.
I’ll end with the rules:
One can often be in doubt about the effect of a word or a phrase, and one
needs rules that one can rely on when instinct fails. I think the following rules will cover most cases:
1. Never use a metaphor, simile, or other figure of speech which you are used to seeing in print.
2. Never use a long word where a short one will do.
3. If it is possible to cut a word out, always cut it out.
4. Never use the passive where you can use the active.
5. Never use a foreign phrase, a scientific word, or a jargon word if you can think of an everyday English equivalent.
6. Break any of these rules sooner than say anything outright barbarous.
In all honesty, I break these rules several times a day – the mere use of in all honesty, that’s trite, isn’t it? But aah … to aspire and to be aware is better than to continue to err unconsciously … and so, I shall continue to aspire.
ak last night to watch the new Harry Potter flick.
call them that) — Helena Bonham Carter and Emma Thompson!